Wahid Khan

The world of performing arts embraced Wahid Khan at the tender age of 9 when he took his first step onto the stage during a primary school drama in 1984. Little did he know that this initial encounter would ignite an unwavering passion for visual arts, drama, and film, which would shape his life’s trajectory in remarkable ways.

As the years went by, Wahid Khan’s ardour for the performing arts only intensified, and he actively participated in stage dramas from various platforms, including Chatan Arts production, Gehwara-e-fan, and Adara e saqafat. However, it was in the year 2000 when he found his true calling and joined UKS, Balochistan’s solitary production company at that time. His stint at UKS proved to be transformative as he became involved in numerous drama projects, including the grand serial “Sunhari Zanjeer,” which featured some of the most renowned actors and actresses of that era. During this period, Wahid Khan also honed his skills as an assistant editor for “Sunari Zanjeer,” contributing to the success of the project.

In 2003, driven by a deep-rooted desire for creative independence, Wahid Khan took a leap of faith and embarked on a solo journey as an independent filmmaker. This pivotal decision led to the creation of various short films and impactful public service announcements. His short film “FREEDOM” earned him immense recognition as it secured the first position in the prestigious “Eye to Heart Short Film Contest” in America, a competition that encompassed 57 Islamic countries from around the world.

The year 2000 marked the realization of a long-cherished dream, as Wahid Khan proudly established his own production company, aptly named “The Production Works.” As a seasoned Producer, he not only directs but actively produces an array of local and international projects. Wahid Khan’s passion for the industry goes beyond the surface, as he remains deeply involved in all aspects of the productions he undertakes. His fervor lies in narrating compelling local stories and assuming the roles of both shooter and director in his own ventures.

Wahid Khan’s talents as a filmmaker extend beyond conventional boundaries. As a proficient first Steadicam operator and drone camera operator in Baluchistan, he is entrusted with capturing mesmerizing visuals for diverse projects. His versatile skill set also includes serving as a Director of Photography (DOP) and editor for several major productions.

A prolific documentary maker, Wahid Khan has been the driving force behind dozens of thought-provoking documentaries spanning a wide range of subjects. Some of his notable works include “Too Young to Wed,” “Yes We Can,” which explored sexual and reproductive health and rights (SRHR), “Gonai,” a compelling documentary on beating plastic pollution, and insightful documentaries on Baba-e-sports, among many others. Collaborating with Ms Rani Wahidi, he co-directed several of these impactful projects, leaving a lasting impression on audiences and shedding light on crucial social issues.

In conclusion, Wahid Khan’s journey in the world of performing arts and filmmaking is an inspiring testament to his unwavering dedication, creative genius, and vision for making a positive impact on society. Through his exceptional storytelling and astute direction, he continues to break barriers and explore new horizons in the realm of documentary production, leaving an indelible mark on the industry and the hearts of audiences worldwide

Rani Wahidi

Rani Wahidi, armed with a master’s degree in media and journalism, embarked upon her career journey as a documentary filmmaker in 2008, driven by a profound passion for the craft. Her portfolio is adorned with a collection of documentaries and short films that have garnered commendable recognition on both national and international platforms. Notably, she holds the distinction of being the foremost female cinematographer, documentary filmmaker, and journalist hailing from the region of Balochistan.

In her capacity as a filmmaker, Rani Wahidi has orchestrated the production of poignant short films such as “Ehtarm” and “Freedom,” alongside her directorial involvement in crafting corporate documentaries for esteemed national and international entities. As the auteur behind these endeavors, Wahidi deftly commands the artistic and dramatic dimensions of her films, adeptly translating the screenplay’s essence into visual form. Her guidance extends to the technical crew and cast, ensuring the seamless realization of her creative vision. Furthermore, her contributions span critical aspects of filmmaking, encompassing the selection of cast members, production design, and the intricate facets of creativity inherent in the filmmaking process.

An accolade in her career came with her short film “Ehtram,” which secured the esteemed second position in the Izhar Short Film Contest held in Islamabad. Wahidi’s dedication to her craft is underpinned by her commitment to continuous learning and growth. She has actively pursued professional development through diverse filmmaking-related training opportunities, including specialized courses conducted by American experts in the field of documentary filmmaking.

Tayyub Mushtaq

In the intricate realm of storytelling, the role of a skilled scriptwriter is paramount, weaving together words that give life to captivating narratives. Over the span of his career from 2006 to the present, Tayyub Mushtaq has emerged as a prominent figure in this domain, leaving an indelible mark on the landscape of screenwriting. His journey has been deeply interwoven with the heart of Pakistan’s creative industry, as he has lent his remarkable talents to some of the most prominent production houses in the vibrant city of Islamabad.

With each script penned by Mushtaq, a new chapter of imagination comes to life, breathing soul into characters and situations that resonate with audiences across diverse spectrums. His dedication to his craft is reflected not only in the longevity of his career but also in the enduring impact of his work. As he navigates the labyrinth of emotions, themes, and narratives, Mushtaq’s scripts continue to serve as the foundation upon which compelling stories are built.

From the corridors of the esteemed production houses in Islamabad, Tayyub Mushtaq’s journey unfolds as a testament to the power of words and their ability to transcend time and space. As we delve into his creative odyssey, it becomes evident that his contributions are not just confined to ink on paper; they are bridges that connect the audience to the heart of the stories he tells.